What keeps us from getting started on our creative projects? We have great ideas, but then we keep putting them off. In this episode, we explore how to dance with high expectations and paralysis of analysis. We talk about tricks for getting yourself past square one, and we have an outrageously good interview with poet, editor and writing coach Judyth Hill in which we ask her two questions: 1) How do you get started, and 2) What do you do when that doesn’t work? Her answers will supercharge your starting batteries!
So you’re writing. Or painting. Or dancing. And you’re struck by this horrible feeling: what am I doing? How am I ever going to find the form and create something beautiful out of this tangled mess that I’ve assembled? Or you start to feel that your work doesn’t matter. That in fact, nothing matters. Your creative endeavors amount to nothing. You are nothing. Nothing’s worth saying. No creative project’s worth doing. And that, friends, is existential despair. It happens. Most people involved in creative projects experience this state at some point, and it can be tough to get out of. In this episode, we wonder, can we avoid it? What do we miss if we avoid it? What helps us to return to a sense of purpose and passion? Our special guest, encaustic/mixed media artist Andrea Bird from Ontario, Canada, joins us for our game of two questions and talks about how that grappling can actually be what helps push our work to the next level.
If you’re a poet or a painter or a musician or a dancer, you have to have talent, right? Maybe, maybe not. In this episode of Emerging Form, we explore talent. What exactly is it? How do you know if you have it? Is it necessary? Can you make up for it if you don’t have talent? Spoiler alert: the poet and the scientist do not agree on the answer to this one. As always, we’ll end with a game of Two Questions with friend of the show Jennifer Kahn, who writes for magazines like The New Yorker, Wired, and The New York Times Magazine and is an instructor at the Cal-Berkley journalism program. We’ll ask her to weigh in on whether talent is necessary, and if it’s possible to overcome lack of it in a creative field.